TP Audio's LS9 Console File

Yamaha LS9 Console File

Updated 03/03/2010.
* Denotes 03/03/2010's updates.
Updated again 05/03/2010 - nothing big.
Updated 06/01/2010: Fixed: Piano monitor inadvertently routed to house; Protected the scenes (recall and copy to make changes, then save as a new scene).

There are two scenes.

Scene 295 is for variety shows. Details include:

16 channels for vocals that are fed to a bus that is used as a group.

Several stereo pairs for playback.

Several custom pairs (which are fed by a single head amp, which is to be fed by a summed mono signal). One channel of the pair is routed to L/R and Mono only, the other channel is fed post-fade to the (monitor) busses only. This makes it very easy to adjust the mains and monitor levels for "track acts" and the like.

* Recall-safed: Everything on a stereo pair for tracks playback, an MC channel, a Talkback channel, and the L/R/Mono. Everything but the faders on all the other channels (this is so that if you have to change a head amp, EQ, or comp after you have saved all of your show scenes, you don't have to update every scene).

I have it set up pseudo aux fed subs - the keys and playback channels are (in addition to being fed to L/R) fed to the mono bus for the subs out. The Mono fader is linked to the L/R.

I have user keys set up for Scene Decrement, Scene Increment, Recall*, Open Meters Page in Studio Manager, and Tap Tempo on rack 8. (* The console is configured to require confirmation. This might be turned off during the run of a multi-scene show, depending upon various circumstances.)

I have not yet set up a custom fader layer for this scene.

Scene 297 is for rock shows. Details include:

A number of channels for drums (including a stereo overhead pair) that are fed to a bus as that is used as a group.

A number of channels for vocals that are fed to a bus that is used as a group.

Several linked pairs for stereo keys.

Recall-safed: Stereo pair for tracks playback, an MC channel, a Talkback channel, and the L/R/Mono.

I have it set up pseudo aux fed subs - the drum bus, bass channels, key channels, and playback channels are (in addition to being fed to L/R) fed to the mono bus for the subs out. The Mono fader is linked to the L/R.

I have user keys set up for Scene Decrement, Scene Increment, Recall*, Open Meters Page in Studio Manager, and Tap Tempo on rack 8. (* The console is configured to require confirmation. This might be turned off during the run of a multi-scene show, depending upon various circumstances.)

All inputs are patched to both layers. Layer 1-32 is used for the house mix, layer 33-64 is used for the monitor mixes. This allows independent EQ and dynamics on the mains and the monitors (usually no dynamics are used on the monitors).

* A custom fader layer with the important channels, the group masters, the effects send masters, and the effects returns.